Art practice

26. That extra day...

à Paris j’ai rencontré

M Bro dans le métro

his eager charges guessing

 

his age             in an arrondissement flush

with balconies a fashionista tacitly

acknowledged my vintage

jacket               and later

 

drinking red wine whilst eating

escargots

quelle horreur

a rendezvous of Spanish gaggling

then

 

la Japonaise 

flowing with the cut and

smiling on the bias

bows

25. Last Acts

Act I

(in which a mother returns home without her son)

 

 

When you left, you left.

The door open to a terrible draught

and me with just a shift of barbed time.

 

Because the door was open, 

I knocked.

 

Six times I knocked.

 

All the passers-by stared,

but no one answered.

 

 

 

Act II

(in which the police return her son’s possessions, to whit: one rope.)

 

 

Until the postman came with a parcel.

 

It was a present from you, but not.

An invitation, of sorts.

 

I set it on the mantelpiece

and looked at it for seconds, for minutes, for hours, for days, for weeks, for months.

 

I wanted to be sure I had read it correctly.

 

In the end, what else could I do?

The clock had long struck twelve.

 

19. Dare

i)

I wonder which of us is ghost.

 

I lift you onto my shoulders and carry you out.

Your bones are light, your grip strong.

Your ragged bandages graze my calves.

 

I have your emergency,

packed in cold muscle under my ribs. 

 

The trees have the cadence of your scream.

 

 

ii)

Sink here

in litter and soil.

 

Where this solitary stone furs stagnant

in mudwater, suffocate.

 

That single star will puncture you.

 

18. Given enough rope

When you left, you left.

The door open to a terrible draught,

and me in just a shift of barbed time.

 

And because the door was open,

I knocked.

 

Six times I knocked.

 

All the passers-by stared,

but no one answered.

Until the postman came with a parcel.

 

It was a present from you, but not.

An invitation, of sorts.

 

I set it on the mantelpiece

and looked at it for seconds, for minutes, for hours, for days, for weeks, for months.

 

I wanted to be sure I had read it correctly.

 

In the end, what else could I do?

The clock had long struck twelve.